Discover Charlotte’s Guide to Colour Correcting + Colour Theory in Makeup
Why To Use An Orange Colour Corrector
Peach, orange and red shades of colour corrector are designed to neutralise and brighten the appearance of blue tones within your skin. These can appear in the form of dark circles and five o’clock shadow.
Dark circles: Cool blue tones often appear around the eyes in the form of dark circles and can make eyes look tired and sullen; according to colour theory, orange is the opposite of blue, so an orange colour corrector has the ability to counteract these blue tones and disguise the appearance of dark circles.
Facial hair + beard coverage: Hair growth can also give your complexion a blue tinge; even after shaving, the root of facial hairs can give your mouth area a dark, shadowed appearance. Applying an orange or red colour corrector in areas of hair growth can counteract blue tones and provide beard coverage that neutralises the look of five o’clock shadow and helps foundation to appear more even.
Tilbury Tip: I created Magic Vanish colour-correcting concealer in peach, orange and red tones that are perfect for colour correcting the appearance of dark circles and around the mouth.
Why To Use A Pink Colour Corrector
Pale pink shades of colour corrector are designed to cancel out the appearance of dark circles and give your complexion a brightening effect.
Dark circles: Similarly to peach and orange colour correctors, pink tones can be used to counteract the appearance of blue tones in dark circles under your eyes. Light pink colour correctors have a cooler, rosier look than orange or peach, making them a perfect choice for those with cool pink undertones or anyone that loves a pink makeup look.
Tilbury Tip: The pink and peach colour-correcting shades in my Pillow Talk Beauty Soulmates Face Palettes are perfect for correcting the appearance of dark circles under eyes and blend seamlessly into their corresponding matte blush shades.
Why To Use A Blue or Lavender Colour Corrector
Lavender and blue shades of colour corrector are designed to lift and brighten the look of skin as well as neutralising the appearance of warm tones.
Warm foundation shades: If your foundation shade is too warm, you can mix it with a blue or lavender colour corrector to neutralise the appearance of some of the warmth and create a better match for your skin tone. Blue and lavender are naturally cool toned and are perfect for adding to foundations and concealers that look too orange or too yellow on you.
Why To Use A Green Colour Corrector
Green shades of colour corrector are designed to disguise the appearance of facial redness and are perfect for concealing the appearance of skin that is red or blemished.
Facial redness: The appearance of redness on the face can be counteracted with a green colour corrector. Green is the perfect opposite of red on the colour wheel and therefore has a corrective effect when applied to areas of facial redness. Blending a green shade onto areas prone to redness like the middle of the cheeks and around the nose can help conceal the appearance of skin redness.
Blemishes: When a blemish appears on your face, skin often becomes irritated and red. Before spot concealing, applying a green colour corrector can help to disguise some of the redness that appears on the site of your blemish and can help make it easier to cover with concealer.
Why To Use A Yellow Colour Corrector
Yellow shades of colour corrector are designed to add the look of warmth back into your complexion and neutralise the appearance of dull, cool tones and discolouration.
Cool foundation shades: Foundations that are too cool for your skin tone can look too pink or too ashy, so a makeup trick you can use to make these shades work for you is mixing them with a yellow colour corrector. Yellow tones are naturally warm, allowing them to brighten the appearance of cool tones and lift the look of your complexion.
Tilbury Tip: For a more subtle colour-correcting effect, use a warm-toned shade of Charlotte’s Beautiful Skin Radiant Concealer with golden undertones.